'Pieces of the World' - Photo Courtesy of Moss Galleries

‘Pieces of the World’

‘Pieces of the World’ provides an intimate and compelling portrait of American artist Robert S. Neuman (1926-2015), showcasing in-person interviews with scholars, family, and friends, archival and personal photographs, and imagines of numerous artworks. Don’t miss this opportunity to gain insight into Neuman’s personal life, revealing his long connection to Mt. Desert Island, where he spent summers for nearly 50 years.

Events > ‘Pieces of the World’
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Moss Galleries
251 Route 1
Falmouth, ME 04105 United States
207-781-2620
About the Event
Presented by
Moss Galleries
(207) 781-2620
May 19, 2023

Join us for Pieces of the World a film which provides an intimate and compelling portrait of American artist, Robert S. Neuman. Pieces of the World: The Art and Life of Robert S. Neuman gathers in-person interviews with scholars, family, and friends, archival and personal photographs, and images of numerous artworks to create an intimate and compelling portrait of American artist Robert S. Neuman (1926-2015). Neuman embraced the tenets of modernism early in his career and devoted the remaining 7 decades of his life to an exploration of modernism’s visual essentials—an exploration infused with abstract, symbolic and occasionally overt references to places and people familiar to the artist. The film was produced by the Estate of Robert S. Neuman, with underwriting from Keene State College. It was written and narrated by Brian Wallace, curator of the David Sarnoff Collection at The College of New Jersey and Assistant Professor of Time Based Media at Landmark College, Eric Stewart, handled post-production consulting and editing. Former Thorne-Sagendorph Art Gallery educator Shari Osborn provided the film concept and initial interviews and Anna O’Brien, Keene State College Class of 2020, was a contributing editor. Adopting a serial approach to his art practice, Neuman sought to define and resolve artistic contradictions in successive bodies of work—groups of paintings, drawings, or prints that sometimes extended over decades. The film includes footage of artists, collectors, as well as scholars describing Neuman working on multiple paintings simultaneously as he searched for related but unique visual solutions to the formal and material questions that so preoccupied him. Neuman was verbally cagey about his artistic philosophy—he used humor to deflect questions and looked to his artwork to give answers—but he does express great respect for the capacity to create what he described as personalized abstraction.