Celeste Roberge - Photo Courtesy of Moss Galleries

Celeste Roberge

All ‘Women of the Gulf of Maine’ sculptures were cast in bronze, from originals made of seaweed and wax, at Somerset Foundry in West Bath, Maine.

Events > Celeste Roberge
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Moss Galleries Portland
100 Fore Street Suite B
Portland, ME 04101 United States
About the Event
Presented by
Moss Galleries
(207) 781-2620
May 18, 2023 through May 20, 2023

Women of the Gulf of Maine create themselves through the principle of self-organization, like much of nature. Each sculpture begins with one specimen of wet seaweed that is wrapped around a form. The figures emerge from the ever-changing morphology of the drying seaweed. No two seaweeds ever dry the same. I make decisions in the process: what is too dry, what is too wet, and what is just right. Added to the curling, curving, warping, and shrinking of the seaweeds as they dry is the material science of wax. Wax is liquid when hot, but it hardens very fast in the cold. How can I maintain the irregular hyperbolic curves and delicacy of seaweed, which is sometimes only one cell thick, while coating it with numerous layers of molten wax? There are drips, waves, puddles, and bubbles. From this primordial chaos, the figure emerges. Then I emphasize certain aspects, enlarging or diminishing forms and anatomical references—like suggestions of wings, head, or feet—or details of dress, like scarves, skirts, ruffles, and veils. speculate about the possible meanings of these creatures who appear in my studio, riding on their own slick and slippery wave. How to take something that is barely there—like a breath, a gust of wind, a wave, a splash, a touch, a feeling—and simultaneously make it seem like a female form? In their verticality, the Women of the Gulf of Maine are about presence, not seduction. Women standing. Women walking. Women waiting. These small figures are expressive of my desire to create new beings. There is the urge and the demiurge—the creator deity. The Women of the Gulf of Maine are mythical, fantastic, surreal. They are not about beauty or the grotesque. They simply exist with all their differences. They are antique and archaic. Their forms combine elements from all the figurative sculptures that I have seen in a lifetime. They relate to worldwide traditions of statues of deities: Roman, Egyptian, Greek, pagan, prehistoric, Catholic, Buddhist, Hindu; the Apsaras, Korai, Caryatids of the Erechtheion; fertility goddesses, headless statues of goddesses in a colonnade. Every culture, every religion, over millennia.